Leftovers

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This scarf, like this post, is made of leftovers. My previous catchup posts had at least vague themes, and this one’s theme is “everything else.” In fact it won’t quite catch us up to the present, because there’s only so much I feel like I can cram into a single post, but it’ll get us pretty darn close.

What you see here is a linen-stitch scarf made from literal leftovers — scraps of yarn from various other things I’ve made over the years. Unlike some other things that I “saved for the blog” and didn’t wear until I could photograph them, this thing has gotten a lot of use and even been washed a few times — I love it to pieces!

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You may also notice that I’m in — gasp! — a new location in these pictures. Pat and I spent a weekend in Idyllwild to celebrate our anniversary, and I brought all these pieces up there to photograph them. However, the other three pieces are all brownish-grayish, and I totally neglected to bring any outfits that would go with them, so this is the only one that we actually photographed up in the woods.

For the rest of them, it’s our beautiful driveway yet again! And sorry to fans of my (very faded) purple hair, but it’s gone now; I have to start being a stern 9th grade teacher again next week:

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This scarf is also (half) made out of leftovers. The gray is leftover merino/yak/silk yarn that I spun for my Starshower Cowl, and the gradient yarn is the merino/silk handspun that I talk about making here. The pattern is just a simple two-row stripe & one-column rib, made famous by Jared Flood. This is one of those times that I wish you could reach through your screen, because this scarf is SO soft and lovely that you would not believe it.

Next up is an unbelievably large shawl whose knitting took up most of this past fall:

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No lie, this thing like like 9 feet from end to end. This is Sunwalker by Melanie Berg. The yarn is Sundara fingering merino, in the “Seaside Storm” colorway. This took most of two skeins, which I did in fact alternate to make sure the color stayed relatively even. It’s a pretty gorgeous autumn-y blend of browns and grays up close:

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Lastly, a project in a mystery yarn:

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The pattern is Lintilla by Martina Behm, and I love how everyday-wearable it is. The yarn label, though, is lost to history. But look how pretty it is!

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Here’s what I know about it: 1) I bought it at an LYS in Seattle. 2) It’s not a major nationwide brand that I’d heard of anyplace else. 3) It’s a springy two-ply merino sock yarn, not unlike Koigu. 4) I’d swear that the colorway was called something like “copper penny” or “bad penny.” I distinctly remember thinking that was a weird thing to call it, as it’s only sort of copper. I’ve done a lot of googling and am really coming up short here. Does anyone out there have any leads?

Am I Blue?

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Today’s catch-up post is dedicated to neckwear in my favorite colors, which are blue and purple — I sure knit a lot of things on this end of the spectrum! First up is the fabulous All Paths Lead Home shawl by Melanie Berg, whose designs I’ve been super into lately. This was a BLAST to knit; it was super addictive and it kept changing things up. The striping is achieved through slipping stitches, so that part is super easy with a stunning result. Here it is in all its glory on the blocking mat:

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My LYS (Alamitos Bay Yarn Company) does a one-time discount during your birthday month of (I think) 20%, so I make a point of making a birthday yarn present to myself every year, and this was last year’s: three skeins of Baah La Jolla, a wonderfully springy sock yarn that I’d been wanting to worth with for forever. The three colorways here are “Over the Moon,” “Pecan,” and “Burgundy.”

I want you to appreciate that it was 85 degrees out last week when we took these photos, but I cheerfully put on jeans and my cutest booties and made believe it was fall:

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However, it was pretty unpleasant. So this week I decided to get more bang for my buck and have Pat photograph three pieces in one shoot. Next up is a piece I’ve been dying to wear with jeans, because just look how perfectly it goes with denim!

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This is Pavonated, from Hunter Hammersen’s genius Curls book, where all the designs are in this unique curled-triangle shape. This shot on the blocking board is totally inaccurate to the color of the yarn (one thing that’s going on is it’s very wet), but it will let you see the shape:

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One thing I really like about this design is the reversibility of the stitch pattern; both sides look really good! However, I will admit that I had more success in the mirror than I did arranging this thing on myself blind for this photoshoot. The below picture would have looked better if I’d tucked that dangling end up, I think:

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But let’s talk for a minute about THIS YARN. It’s Sundara Sport Merino Two, in a colorway called “Contarini Palazzo,” inspired by the Monet painting by the same name, and I’m just wild about its subtle shifts between green, blue, and purple, and also about how they all add up to something that goes so well with jeans.

The next piece also features a really amazing yarn:

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Sorry for the boob close-up, but I wanted you to see the amazing range of colors in this yarn! This is a 100% tencel yarn by Prism called Delicato Layers. As a fiber snob, I’d been suspect of tencel, but I really liked working with it, and I love the drape of the finished product! Here’s the whole piece:

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The pattern is Lale Lace Shawl by Alina Apposova. You can see now why we needed that close-up though, right? From here this mostly just looks purple.

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This is one of my favorite things that I’ve made lately; it’s stunning but very everyday-wearable! Here it is on the blocking board, so you can see the lace pattern more clearly:

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Lastly, we have a cowl that I knit from yarn I spun myself:

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The pattern is Appia by Hillary Smith Callis, and it works really well for handspun yarn! The fiber I bought at my local Renaissance fair, and all I can find on those ladies online is this website, which doesn’t give many details about the actual fiber they sell. I actually have no idea what kind of fiber this was apart from “some kind of wool” — the label doesn’t specify; it just calls is “Colonial” and says that the colorway is Burgundy. While this cowl looks pretty cute, it feels pretty scratchy, so I don’t know how much wear it will get.

Believe it or not, I do knit in colors other than blue and purple, and next time we’ll cover some of those other projects. By the way, if you are friends with me on Ravelry you may have noticed that not many of these projects that I’ve been blogging are posted there yet — they will be soon, I promise!

All the Hats I Knit Are Weird

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I mean, why bother to knit a normal hat? You can buy those at the store. This baby you won’t find at any store.

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It’s Roisin by Ysolda Teague, a hood with awkward little ties at the bottom. But I kind of love it. I knit it in Malabrigo Sock in the Candombe colorway. I knit it for desert dance parties, where it looks less weird than in my kitchen, I promise.

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Here’s another hat I knit for cold desert nights:

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This is Capucine by Adela Illichmanova, and I love it to pieces. The yarn is Serenity Chunky from Zen Yarn Garden, in a colorway called “It Came Out Great!”. Both these hats were situations where the yarn immediately told me what it wanted to be — the mushroom-colored yarn that I used for the hat above immediately cried out to be Roisin, and when I saw this gorgeous chunky yarn, the Capucine pattern immediately leapt to mind, so I ordered two skeins and went to town. I knocked this hat out in, like, two hours tops.

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The giant pom-poms are the bessssst, guys.

Lastly and least weird, I knit about a million Pussy Hats for the Women’s March in January.

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I didn’t jump on the pussy hat train until about three weeks before the march, so the first thing I did was raid my stash for all the pink yarn I could find. Mine and Pat’s were made with a recycled sari silk yarn held double with some crappy acrylic sock yarn I had on hand. All my pussy hats were knit at a fairly large gauge to enable me to knock them out quickly. All in all I knit about 15, about 10 knit before the march & mailed to various friends who were marching, and about 5 knit afterwards for friends who just wanted them. Many, like this one, were knit in Lambs Pride Bulky, which I stocked up on when I ran out of pink stash yarn:

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Some were knit with the Lambs’ Pride held double with a strand of Luna by Trendsetter Yarns in the Silver Multi colorway to make them sparkly, like this mother-child pair that I still have kicking around and keep forgetting to put in the mail:

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(Sorry, Amanda! You’ll get them soon!)

It was pretty cool to see how very stocked up on Barbie-corvette pink yarn my local yarn store was in January. When I was browsing in that area of the store, a nice old saleslady came up to me and delicately asked if I was planning to knit the “P hat” — so cute! And of course it was amazing to be at the march, in a sea of pink hats, feeling like maybe my country was still mine — weird hats and all.

Socks! Socks! Socks!

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Hello again, knit fans! Today we’ll be covering the socks I’ve knit over the last two years. First up are these lovely purple socks that I knit for myself — can you believe that I knit these about a year ago and have been assiduously not wearing them because I hadn’t photographed them yet? This photo shoot, such as it was, ended up taking me all of five minutes yesterday. And now I can actually wear these socks! Hooray!

The pattern is Kai-Mei by sock legend Cookie A, and I strongly recommend it. I’m a big fan of all of Cookie’s “twisted” designs, and these were really fun to knit — interesting without being maddeningly complicated. The leg is just plain ribbing the whole way down, but that flies by. The color of the yarn is truest above; in the picture below, the pinks are magnified more than they are in real life:

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Look at me; I own sock blockers now! I bought them mostly for the purposes of showing off socks on this blog; who blocks socks, honestly?? Sadly I can no longer find the label for this yarn, but I’m 99% sure that it was Skinny Bugga from the now-defunct Sanguine Gryphon dyeworks. If it wasn’t Skinny, then it was regular Bugga — I know it was one of those! I also have no idea what the colorway was called, but it was something limited-edition, so you wouldn’t be able to find it now, anyway. 😦 This is what happens when I get behind in my blog, and it’s why I’m going to try to not let this happen again!

Next up is a pair of socks I knit for Pat:

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I have not yet bought husband-sized sock blockers, so this shot will have to do. These were Pat’s Christmas socks this past year. The pattern is Anne Hanson’s Sign of Four, adapted to be knit in a heavier yarn. I knit most of Pat’s socks in DK weight if I can, because his feet are huge and ain’t nobody got time for that. I’m pretty sure that in this case I just knit the small or medium size in DK weight yarn (on correspondingly larger needles) instead of the fingering weight that it called for, and they came out large enough. The yarn was Cricket from Anzula Luxury Fibers in the Blueberry colorway.

Lastly, some socks I finished (and photographed!) ages ago, but didn’t blog — so long ago that they’re pictured on our old cruddy “white” couch instead of our fabulous new turquoise one:

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The pattern is Deflect by Hunter Hammersen, and if your memory is very long indeed, you may recall that in February of 2014 I finished a pair of these for Pat and started a matching pair for myself. It’s only from re-reading that post that I can tell you with confidence that the yarn for these was Dream in Color Everlasting Sock, and I have no idea what the colorway is. I do remember that it was this pair of socks that caused me to buy my sock blockers; I’d been wanting them for the blog for a long time, but this pair of socks actually needed blocking, because they came out a little too small for my feet!

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If you squint at this picture, you can see that they’re stretching, especially around my ankles. I know they’d stretch out more if I’d just wear them more, but that’s exactly the problem; I don’t really want to wear them because they’re a little too small! Alas.

A Tale of Two Sweaters

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Every knitter knows “the sweater curse”: if you knit a sweater for somebody with whom you are in a romantic relationship before you marry them, your relationship is doomed. It makes a certain amount of intuitive sense: for one thing, a sweater is a huge investment of time and energy, which might make the recipient uncomfortable. Furthermore, a sweater rarely comes out exactly perfect, which might cause the recipient to not want to wear it much, which might create tension in the relationship. The theory is that if you’re committed enough to each other enough to marry, then your relationship can stand the strain of a possibly-wonky sweater. Or else it’s magic. Who knows? What I know is that I flouted this ancient wisdom once in my youth, and I reaped the consequences. In my case, I think the actual sweater didn’t have any direct effect on the end of that relationship, but I was not fool enough to test the sweater curse twice. Though Pat had been asking me to knit him a sweater for years, I refused to do so until we were married. His marriage proposal, which was written down for me to read, ended with the words “now look at the sweaterless guy over there,” where he was kneeling with a ring.

So how could I do otherwise than to knit him a sweater immediately after we got married? I had to finish my brother’s blanket first, which you can read about in the previous post, but once that was done, this sweater was the first order of business.

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The pattern is Reece by Jane Ellison, from Queensland Collection Book 9 — yes, I had to track down this obscure print book to find the pattern that my husband wanted. That’s love, folks. He wanted something pretty plain and not flashy, but he was also fairly particular about what that meant, and there just aren’t as many mens’ sweater patterns out there as you would like. The pattern called for knitting the sleeves flat, though, which I hate and avoid whenever possible; I knit them in the round from the top down instead, just from measurements and math.

The yarn is KnitPicks Swish DK in the “dusk” colorway. The zipper came from Zipperstop, a website that will sell you a zipper in a custom length & color. I hadn’t intended the color of the zipper to be quite so much brighter than the yarn, but Pat decided he liked it that way. I also decided after about two minutes of trying to sew in the zipper myself that I would just pay a tailor $20 to have it professionally installed, which was better for everyone. I did manage to hand-sew in a zipper once, but it was on the sweater for He Who Shall Not Be Named, and maybe the less we can repeat that situation the better.

This past winter, I also knit my very first pullover:

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Cardigans tend to make more sense in southern California, but I do wear pullover sweaters in the winter, especially at night in our apartment where we tend not to run our ancient inefficient gas heater & just pull on layers of clothing and blankets. And I had loved Norah Gaughn’s Lempster since its debut in Knitty in 2013. I especially loved it in the original yarn, Berroco Abode, a thick-and-thin yarn with a lovely speckling effect — I just didn’t like any of the samples showing up on Ravelry in more conventional yarns nearly as much. However, when I decided to finally knit Lempster this past fall, I was dismayed to find that the original yarn had been discontinued. Fortunately, this had happened recently enough that I was still able to find it for sale at a variety of places; it was just hard to find sweater quantities in colors I liked. I couldn’t find the original blue colorway in sufficient quantities, but I eventually decided that the muted purple of the River colorway would also be very nice, and that’s what I settled on.

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I made a few modifications to the original: I knit the sleeves full-length, and I did the cable motif on the back also, as you can see here. This sweater is not for the faint of heart: in addition to the charts’ being complex, the construction (especially at the beginning) is really confusing, and in a few key places the directions are just plain wrong. The following Ravelers’ notes were key in helping me figure out what the heck I was doing: FuzzyPumpkin, Sophie7toes, Ephiphonora, and Handstitch. Another issue I had was that in blocking, this thing grew like 4 inches of length, which I ended up just unravelling. The Berroco Abode was super sticky and GREAT for unravelling without losing more stitches than you intended — which was, alas, something I had to do a lot in this project. I got to be an expert at fixing messed-up cable crosses several rows back without unravelling whole rows, which there really ought to be a knitters’ trophy (or at least a merit badge?) for.

But I really like how it came out, and the Berroco Abode makes a sweater that is lofty and lightweight while still being warm — it’s great for chilly California winter days, which is in fact when these photos were taken. But don’t worry: soon enough you’ll see me sweating in the summer heat while bravely sporting fall and winter wear for the sake of getting through my project backlog!

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Blanketed In Love

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So my brother got married early in 2015, and I spent most of that year knitting this blanket, which I presented to him & his wife at Christmas of that year as their belated wedding present. I’d known I wanted to knit them a blanket, but I didn’t pick out the pattern until about a month before their wedding, and as you can imagine, this thing was a huge amount of work! For their actual wedding, they got a card from me and a picture of the yarn with an “under construction” label. Here’s the whole finished object:

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The pattern is Hue Shift Afghan by Kerin Dimeler-Laurence; it’s a KnitPicks pattern. I knit it in KnitPicks Wool of the Andes Sport, and I followed the “Rainbow Version” color suggestions, though I had to substitute a few of the recommended colorways because they were out of stock. I also followed Mariangello’s directions to increase the size of the blanket to fit a queen-sized bed. (If you do this, be sure to buy more yarn than KnitPicks suggests, of course!) It still came out a little small for a queen-sized bed, though; here it is being just about adequate for a full-sized one:

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I loved this thing so much that it was reeeeeaaaallly hard to give up, and I just might make another one for us to keep one of these days! One thing that’s cool about knitting it is that you do it in pieces, so it never suffers from that huge-blanket problem where you have to keep the whole thing in your lap at once while you’re working on it. You make the squares in strips, and these add up to 4 separate large squares which you eventually have to seam together:

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That’s the only seaming you have to do, though. After this, you pick up stitches at the edges to do the border. As you can see, there are eleventy-billion ends to weave in when you’re done. You can carry one color up per column, but each square generates two new ends to weave in for the other color. 😦

I over-purchased the yarn because I was terrified of running out, and I ended up with about a ball and a half left of each color. So I made a baby blanket for my friends Jackie and Robin! (Jackie made my wedding dress, as you will recall from my last post.)

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I’m pretty proud of this, because I made up the pattern myself, using math to figure out how to get the most out of my remaining yarn. It’s knit in strips, and I attached each strip to the next one as I went by picking up an edge stitch from the previous strip to avoid having to do seaming later. Totally seamless, baby!

Here it is with my body & bookshelves for scale:

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I deliberately made it pretty big for a “baby” blanket, because it’s totally not machine washable, so I figured the parents might not want to actually give it to their kid until she’s old enough to keep her bodily fluids inside her body where they belong. Also I wanted to use up all of that dang yarn!

Since I have so very much ground to cover in order to get caught up, I’m going to share with you one more blanket that I’ve made while I’ve been gone. This is a much smaller baby blanket, knit in machine-washable yarn:

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I knit this for my friends Tia and Reid in freeform log-cabin style, a blanket-construction method I fell in love with a few years ago, when… holy smokes, it turns out I never shared the finished object from this project with you, either! Okay, I’ll show you that in just a minute! Anyway, the above blanket was knit in Berroco Comfort held double on huge needles, to create a very thick and squishy blanket that could also work as a playmat for “tummy-time,” something that I gather babies are into. (I am very childless, as you may have figured out by now.)

One more blanket, then! As the link in the above paragraph explains, in mid-2013 I inherited some vintage 1970s yarn from my mom’s basement, and I started a freeform log cabin project with it since I wasn’t really sure how much yarn I actually had. Here’s the finished product, which I must have completed sometime in 2014:

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It’s got some creases in it from being folded up on our couch; this is very much a workhorse blanket that keeps me warm when we’re watching TV in the winter. Look how handsomely it goes with our new turquoise sofa!

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I knit those pillows on the sides, too, natch. #allkniteverything

I’ve Been Busy

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A funny thing happened in 2015 when I swore I’d get back to this blog: I got married. And planning a wedding, it turns out, eats up a lot of time. My job keeps me pretty busy during the school year as well, and once you get behind in a blog, it gets harder and harder to catch up. But I’ve got a stack of knits that I “can’t” wear because they haven’t been photographed for the blog yet, which is profoundly stupid, so I’m going to try to get this thing on its feet again!

So let’s start with my wedding shawl, pictured above. The pattern is Serangoon by the brilliant Asa Tricosa, and the yarn is “Bloom” from Reywa Fibers in the “Picnic” colorway. I was never one of those girls who daydreamed details of my wedding my entire life — to the dismay of my wedding planner, who would ask me things like “what do you want the flowers to look like?” and get an answer like “I dunno, nice?” — but I will admit to having picked out a wedding shawl pattern at least a year or two before my boyfriend actually proposed. The minute Serangoon hit the internet, I knew I loved it so much that I would have to literally get married in it. Just look at that gorgeous border!

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The turquoise color I didn’t decide on until I walked into the yarn store and was seduced by Bloom’s 50% yak / 50% silk deliciousness. I was already pretty sure that I didn’t want a white wedding shawl, because I wanted to be able to wear it ever again, and this yarn purchase ended up dictating the color that my whole bridal ensemble revolved around. Behold:

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I should also mention that my dress was sewn by my friend Jackie, who was one of my bridesmaids. She also sewed her own dress, and my other bridesmaid Kit wore a handmade dress also, sewn by her mom. This wasn’t particularly planned, but as a craftsperson I thought it was pretty awesome. (I personally suck at sewing, btw.) Here is my lovely bridal party; my bridesman Michael was, alas, not wearing a handsewn suit:

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That’s Kit on the left, and Jackie on the right. Michael is the one in the suit. Aren’t those flowers nice? After forcing me to make a Pinterest board to express some preferences, my infinitely patient and magical wedding planner (Ashley from Thread Events) went to the LA flower market on the morning of the wedding and made those bouquets herself.

Okay, fine, I didn’t intend this to be a “look at my wedding” post, but now it feels weird to show you my bridal party and not my groom, so here you go:

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My now-husband Pat has been responsible for nearly all the photos on this blog for forever, so please give him a round of applause. Also, yes, those are dinosaur cake toppers. We had a dinosaur-themed wedding. I’m now realizing I need to show you even more wedding photos, because the one wedding craft I did besides my shawl was to spraypaint a million dinosaurs gold for the centerpieces:

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And the favors:

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My brother also got married in 2015, about six months before I did, so I naturally I knit Serangoon’s sister shawl for his wedding: Tiong Bahru. I don’t have any pictures of it in action at his wedding, so I made Pat take these photos yesterday:

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It’s got that same lovely edge as Serangoon, but it’s in a shawl rather than a wrap form. Unfortunately, I no longer have any idea what yarn I used. My husband is trained to Never Throw Away A Yarn Label, No Matter Where You Find It, but I’ve checked my several stashes of them and can’t find anything that looks like it was for this yarn. I think it was a laceweight alpaca blend?

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I didn’t feel like putting on my fancy sister-of-the-groom dress for this quick photoshoot, but this shawl did match that dress super well:

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Just use your imagination, I guess!

Okay, so I swear on an imaginary stack of holy books that I am going to work over the next few weeks on blogging my backlog of projects. Showing off knitwear on the internet is half of why we make it, right? See you soon!