Leftovers

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This scarf, like this post, is made of leftovers. My previous catchup posts had at least vague themes, and this one’s theme is “everything else.” In fact it won’t quite catch us up to the present, because there’s only so much I feel like I can cram into a single post, but it’ll get us pretty darn close.

What you see here is a linen-stitch scarf made from literal leftovers — scraps of yarn from various other things I’ve made over the years. Unlike some other things that I “saved for the blog” and didn’t wear until I could photograph them, this thing has gotten a lot of use and even been washed a few times — I love it to pieces!

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You may also notice that I’m in — gasp! — a new location in these pictures. Pat and I spent a weekend in Idyllwild to celebrate our anniversary, and I brought all these pieces up there to photograph them. However, the other three pieces are all brownish-grayish, and I totally neglected to bring any outfits that would go with them, so this is the only one that we actually photographed up in the woods.

For the rest of them, it’s our beautiful driveway yet again! And sorry to fans of my (very faded) purple hair, but it’s gone now; I have to start being a stern 9th grade teacher again next week:

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This scarf is also (half) made out of leftovers. The gray is leftover merino/yak/silk yarn that I spun for my Starshower Cowl, and the gradient yarn is the merino/silk handspun that I talk about making here. The pattern is just a simple two-row stripe & one-column rib, made famous by Jared Flood. This is one of those times that I wish you could reach through your screen, because this scarf is SO soft and lovely that you would not believe it.

Next up is an unbelievably large shawl whose knitting took up most of this past fall:

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No lie, this thing like like 9 feet from end to end. This is Sunwalker by Melanie Berg. The yarn is Sundara fingering merino, in the “Seaside Storm” colorway. This took most of two skeins, which I did in fact alternate to make sure the color stayed relatively even. It’s a pretty gorgeous autumn-y blend of browns and grays up close:

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Lastly, a project in a mystery yarn:

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The pattern is Lintilla by Martina Behm, and I love how everyday-wearable it is. The yarn label, though, is lost to history. But look how pretty it is!

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Here’s what I know about it: 1) I bought it at an LYS in Seattle. 2) It’s not a major nationwide brand that I’d heard of anyplace else. 3) It’s a springy two-ply merino sock yarn, not unlike Koigu. 4) I’d swear that the colorway was called something like “copper penny” or “bad penny.” I distinctly remember thinking that was a weird thing to call it, as it’s only sort of copper. I’ve done a lot of googling and am really coming up short here. Does anyone out there have any leads?

Am I Blue?

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Today’s catch-up post is dedicated to neckwear in my favorite colors, which are blue and purple — I sure knit a lot of things on this end of the spectrum! First up is the fabulous All Paths Lead Home shawl by Melanie Berg, whose designs I’ve been super into lately. This was a BLAST to knit; it was super addictive and it kept changing things up. The striping is achieved through slipping stitches, so that part is super easy with a stunning result. Here it is in all its glory on the blocking mat:

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My LYS (Alamitos Bay Yarn Company) does a one-time discount during your birthday month of (I think) 20%, so I make a point of making a birthday yarn present to myself every year, and this was last year’s: three skeins of Baah La Jolla, a wonderfully springy sock yarn that I’d been wanting to worth with for forever. The three colorways here are “Over the Moon,” “Pecan,” and “Burgundy.”

I want you to appreciate that it was 85 degrees out last week when we took these photos, but I cheerfully put on jeans and my cutest booties and made believe it was fall:

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However, it was pretty unpleasant. So this week I decided to get more bang for my buck and have Pat photograph three pieces in one shoot. Next up is a piece I’ve been dying to wear with jeans, because just look how perfectly it goes with denim!

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This is Pavonated, from Hunter Hammersen’s genius Curls book, where all the designs are in this unique curled-triangle shape. This shot on the blocking board is totally inaccurate to the color of the yarn (one thing that’s going on is it’s very wet), but it will let you see the shape:

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One thing I really like about this design is the reversibility of the stitch pattern; both sides look really good! However, I will admit that I had more success in the mirror than I did arranging this thing on myself blind for this photoshoot. The below picture would have looked better if I’d tucked that dangling end up, I think:

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But let’s talk for a minute about THIS YARN. It’s Sundara Sport Merino Two, in a colorway called “Contarini Palazzo,” inspired by the Monet painting by the same name, and I’m just wild about its subtle shifts between green, blue, and purple, and also about how they all add up to something that goes so well with jeans.

The next piece also features a really amazing yarn:

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Sorry for the boob close-up, but I wanted you to see the amazing range of colors in this yarn! This is a 100% tencel yarn by Prism called Delicato Layers. As a fiber snob, I’d been suspect of tencel, but I really liked working with it, and I love the drape of the finished product! Here’s the whole piece:

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The pattern is Lale Lace Shawl by Alina Apposova. You can see now why we needed that close-up though, right? From here this mostly just looks purple.

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This is one of my favorite things that I’ve made lately; it’s stunning but very everyday-wearable! Here it is on the blocking board, so you can see the lace pattern more clearly:

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Lastly, we have a cowl that I knit from yarn I spun myself:

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The pattern is Appia by Hillary Smith Callis, and it works really well for handspun yarn! The fiber I bought at my local Renaissance fair, and all I can find on those ladies online is this website, which doesn’t give many details about the actual fiber they sell. I actually have no idea what kind of fiber this was apart from “some kind of wool” — the label doesn’t specify; it just calls is “Colonial” and says that the colorway is Burgundy. While this cowl looks pretty cute, it feels pretty scratchy, so I don’t know how much wear it will get.

Believe it or not, I do knit in colors other than blue and purple, and next time we’ll cover some of those other projects. By the way, if you are friends with me on Ravelry you may have noticed that not many of these projects that I’ve been blogging are posted there yet — they will be soon, I promise!

I’ve Been Busy

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A funny thing happened in 2015 when I swore I’d get back to this blog: I got married. And planning a wedding, it turns out, eats up a lot of time. My job keeps me pretty busy during the school year as well, and once you get behind in a blog, it gets harder and harder to catch up. But I’ve got a stack of knits that I “can’t” wear because they haven’t been photographed for the blog yet, which is profoundly stupid, so I’m going to try to get this thing on its feet again!

So let’s start with my wedding shawl, pictured above. The pattern is Serangoon by the brilliant Asa Tricosa, and the yarn is “Bloom” from Reywa Fibers in the “Picnic” colorway. I was never one of those girls who daydreamed details of my wedding my entire life — to the dismay of my wedding planner, who would ask me things like “what do you want the flowers to look like?” and get an answer like “I dunno, nice?” — but I will admit to having picked out a wedding shawl pattern at least a year or two before my boyfriend actually proposed. The minute Serangoon hit the internet, I knew I loved it so much that I would have to literally get married in it. Just look at that gorgeous border!

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The turquoise color I didn’t decide on until I walked into the yarn store and was seduced by Bloom’s 50% yak / 50% silk deliciousness. I was already pretty sure that I didn’t want a white wedding shawl, because I wanted to be able to wear it ever again, and this yarn purchase ended up dictating the color that my whole bridal ensemble revolved around. Behold:

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I should also mention that my dress was sewn by my friend Jackie, who was one of my bridesmaids. She also sewed her own dress, and my other bridesmaid Kit wore a handmade dress also, sewn by her mom. This wasn’t particularly planned, but as a craftsperson I thought it was pretty awesome. (I personally suck at sewing, btw.) Here is my lovely bridal party; my bridesman Michael was, alas, not wearing a handsewn suit:

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That’s Kit on the left, and Jackie on the right. Michael is the one in the suit. Aren’t those flowers nice? After forcing me to make a Pinterest board to express some preferences, my infinitely patient and magical wedding planner (Ashley from Thread Events) went to the LA flower market on the morning of the wedding and made those bouquets herself.

Okay, fine, I didn’t intend this to be a “look at my wedding” post, but now it feels weird to show you my bridal party and not my groom, so here you go:

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My now-husband Pat has been responsible for nearly all the photos on this blog for forever, so please give him a round of applause. Also, yes, those are dinosaur cake toppers. We had a dinosaur-themed wedding. I’m now realizing I need to show you even more wedding photos, because the one wedding craft I did besides my shawl was to spraypaint a million dinosaurs gold for the centerpieces:

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And the favors:

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My brother also got married in 2015, about six months before I did, so I naturally I knit Serangoon’s sister shawl for his wedding: Tiong Bahru. I don’t have any pictures of it in action at his wedding, so I made Pat take these photos yesterday:

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It’s got that same lovely edge as Serangoon, but it’s in a shawl rather than a wrap form. Unfortunately, I no longer have any idea what yarn I used. My husband is trained to Never Throw Away A Yarn Label, No Matter Where You Find It, but I’ve checked my several stashes of them and can’t find anything that looks like it was for this yarn. I think it was a laceweight alpaca blend?

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I didn’t feel like putting on my fancy sister-of-the-groom dress for this quick photoshoot, but this shawl did match that dress super well:

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Just use your imagination, I guess!

Okay, so I swear on an imaginary stack of holy books that I am going to work over the next few weeks on blogging my backlog of projects. Showing off knitwear on the internet is half of why we make it, right? See you soon!

Long Time, No Blog!

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Sorry it’s been so long since I posted here — my new job has kept me too busy to document my projects, but rest assured that I’ve been knitting! This is the first in what will hopefully be a series of catch-up posts, but once the new semester gets underway it may be difficult for me to post again. But that’s what summer break is for, right? That and margaritas.

Above I’ve showing off a shawl called The Way from Brighton designed by Joji Locatelli. It’s the sort of simple, geometric, textured design that appeals to me a lot these days, but this was in fact a yarn-driven project from the start.

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I was down in San Diego getting trained to teach AP Language & Composition over the summer, and in my free time I did what I tend to do when traveling by myself: hit up local breweries, vegetarian restaurants, and yarn stores. I visited both the Stone and Ballast Point breweries on that trip, which were both pretty epic! I forget the name of the place I got this yarn from — it was pretty tiny and out-of-the-way. The yarn is Swans Island Organic Washable DK in “Aubergine,” a dark, warm purple shade that I’ve been into lately and that turns out to be pretty close to Marsala, the newly-unveiled Pantone Color of the Year for 2015 — that’s right, I’ve apparently got my finger on the pulse of color-trends! (See matching skirt, purchased entirely independently, in the photo below.)

I was so captivated by the color and squish of this yarn that on the spot in the store I whipped out my smartphone and looked through my Ravelry queue for patterns calling for DK-weight yarn, and The Way From Brighton jumped out as a match made in heaven. And so it was!

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This is a pretty easy project once you get the hang of the bobbles, and it goes really quick after the first row (which is nothing but bobbles!). I highly recommend it!

While we’re here, let’s talk a minute about another accomplishment — this autumn, I finally taught myself to Navajo-ply! Like most knitting- & spinning-related things, it turns out to not be nearly as difficult as it looks. I was very puzzled by the youtube videos I watched at first, but once I started actually doing it I realized that it’s in fact very easy: you’re just making giant, arm-length chain stitches and twisting them up. Here’s the result:

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The fiber is from Capistrano Fiber Arts, a handpainted merino/silk blend that I picked up years ago at the Torrance Fiber Festival. It had such high variegation that I thought normal plying would muddy up the colors too much; I didn’t want the barber-pole effect, but long repeats of single-colored strands, and that’s just what Navajo plying does for you, as you can hopefully see here!

I’ll try my best to catch up with posting some of my other autumn projects here soon! I’ve actually gotten behind on blocking as well as blogging, so I’m excited to see my projects finally get all the way finished and come to life!

Gaea’s Wrap

IMG_5927Hello, and sorry for the long absence! Work got crazy for a couple of months there, but now I have the summer off and I can catch up on posting my backlog of projects! What you see here is a freeform wrap that I knit for my friend Gaea for her wedding in April. Gaea is very much a free spirit, and it came to me in a flash about a month before the wedding that (a) I ought to knit something for her, and (b) it ought to be something out of my brain and heart and intuition rather than something from a pattern. So I went to my stash and pulled out all the greens and blues, since those are the colors that come to mind when I think of her:

IMG_5857Not quite all of these made the cut — sorry, lime-green Fun Fur — but most of them ended up in there somewhere. I cast on an unholy number of stitches — north of 300, I’m pretty sure — and went to town. The wrap is mostly garter stitch, seed stitch, bird’s-eye lace, and shell stitch (or whatever that wavy drop-stitch thing is called — I don’t have my stitch dictionary in front of me). The result was a ginormous wrap that I loved to pieces and managed to remember to model before wrapping it up for gift-giving:

IMG_5941SO HUGE. SO AWESOME.

And here it is in another configuration with me looking a little drunk, which it’s entirely possible that I was:

IMG_5938That dress is the one I wore to the wedding, by the way. It was a fantastically freaky potluck Burning Man wedding at a park in San Francisco. So much fun!

Over the next few days / weeks I’ll fill you in on what else I’ve been knitting since February — stay tuned!

Iron Maiden

IMG_5733Something about this piece really attracted comments from strangers when I was working on it. I brought it on my most recent trip to visit my family in New Jersey, which meant knitting on two planes and also in the park once with my parents, and every time I had it out in public somebody would come over and tell me how gorgeous it was! Some people commented on the pattern — the hypnotic stripes were easy to knit and are very visually pleasing. The pattern is Iron Maiden by Maiden Brooklyn, a designer I recently discovered with a lot of great shawl patterns.

IMG_5702Other people commented on the yarn, which is indeed lovely. It’s from Alisha Goes Around, an independent dyer who I believe is local to Texas — I picked up this yarn when Pat and I were living in Austin last summer. I don’t think she’s selling this particular yarn base anymore, though: this yarn is  called “75/25 Falkland + Nylon Fingering,” and it looks like Alisha is now going for much more poetic yarn names (and that she doesn’t sell this particular blend of fibers anymore). It’s very sturdy, but not at all scratchy — it would have been great for socks, but this lovely dark blue-purple color needed to be somewhere other than my feet.

IMG_5744This was a quick, easy knit — I never even got a chance to blog it when it was in progress. My only problem is with the bindoff — either I executed it incorrectly (very possible) or it’s not actually stretchy enough to allow for the edge to be pulled out into points like the sample is. I don’t have a problem with the smooth, non-pointy edging, but I sort of wish I’d ignored the instructions and just done my standard stretchy lace bindoff. (It’s the one from Laminaria, though I generally don’t double-strand it.) On the whole, though, I’m very happy with this!

Happy Birthday to Me

IMG_5679Yes, yes. Technically my birthday was in April. But in April, I took advantage of my birthday-month discount at my local yarn store, and I bought this lovely skein of Zen Yarn Garden Serenity Silk + in the “Mystic Ocean” colorway. And then in June I started knitting it into a Laminaria shawl, following Xavi’s mods on Ravelry to leave out the star chart. And now that this project is finished, it’s like it’s my birthday all over again!

IMG_5658My favoritest shade of deep blue-green, such a beautiful lace pattern, and a dramatic and generously-sized shawl. Yes, yes, and yes! Can you even believe how fabulous the above shot is? Pat snapped the picture just as I was twirling around, so we caught the shawl in motion.

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I no longer remember exactly how many repeats of the blossom chart I knit, but in order to get as much shawl as possible out of my skein I religiously followed the yarn-ratio charts that the designer (Elizabeth Freeman) brilliantly supplies on Ravelry (pretending I’d knit one repeat of the star chart, since there’s no entry for zero). I knit a Laminaria once before and I knew that the edging does eat up a lot of yarn, but I was skeptical when the charts told me to start the edging with something like 40% of my yarn left. But Elizabeth is a genius at whose feet I worship, so I did what her charts told me — while secretly making plans to match up the leftover yarn I’d surely have with some of the other remnants in my stash. But she was right, of course: when I got to the last few rows, I even started to sweat, thinking I might not have enough to finish! I ended up having to bind off on the final purl row rather than purling that row and binding off on the knit side. Never again will I doubt you, Elizabeth, and please write us another of your gorgeous shawl patterns soon.

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